Phone Booth
Matthew Libatique: Cinematographer
Mark Stevens: Editor
David Zucker: Producer
Eli Richbourg: Producer
Gil Netter: Producer
Ted Kurdyla: Producer
Larry Cohen: Writer
20th Century Fox
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DVD Details:
- Starring: Colin Farrell, Kiefer Sutherland, Forest Whitaker, Radha Mitchell, Katie Holmes
- Director: Joel Schumacher
- Format: Anamorphic, Closed-captioned, Color, Dolby, DVD-Video, Full Screen, Widescreen, NTSC
- Rated: R (Restricted)
- Studio: 20th Century Fox
- Theatrical Release Date: Apr 04, 2003
- DVD Release Date: Jul 08, 2003
- Run Time: 81 minutes
- ASIN: B00005JLQN
- UPC: 043396001688
- Sales Rank: 8677
Amazon Customer Reviews:
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    An innovative suspenseful thriller!, , 2008-11-12
An innovative suspenseful thriller!
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br /Schumacher's latest outing PHONE BOOTH takes a familiar formula and applies some clever new spins. We begin with a stereotypical `Scream' like psycho killer (voice of Kiefer Sutherland) who loves to taunt and terrorize his victims via the telephone. However, Schumacher deviates from the standard psycho killer fare in intriguing ways. Firstly, our primary victim is male (Colin Farrell) not female. Rather than being trapped helpless and home alone, the victim is duped into answering a phone call in a busy New York City telephone booth. The killer then threatens to open fire with a high power rife unless Farrell (playing a New York City publicist) stays on the line and does everything he's told.
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br /Schumacher takes pains at the beginning of the film to paint Farrell's character as a lying, manipulative self-centered lowlife. Again, the director breaks with the stereotypical formula in which the killer's victims are innocents who draw the audiences' sympathy, by painting Farrell as a worm, Schumacher cleverly inverts the formula so that the audience actually enjoys watching the victim squirm.
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br /The killer tells Farrell he has set other victims up in the same manner and has killed before. To prove to Farrell he means business, he kills a bystander. This acts as a reality check both for Farrell and the audience - it's one thing to see a low life being made to squirm but quite another for the sniper to open fire on a crowded New York Street. The audience now expects Schumacher to start running up the body count. But the director again dashes audience expectation and turns the film primarily into a psychological thriller rather than the action suspense or slasher fare we've been led to expect. The camera and action focus almost exclusively on the phone booth (reminiscent of Alfred Hitchcock's ROPE) and the publicist's agony and humiliation as the killer forces him to stay in the booth, now surrounded by police, and carry out his twisted wishes upon threat of death. Unaware of the sniper's presence, the police think the publicist has the killed the bystander. Farrel's character must continue playing the killer's deadly game in hopes he can somehow tip the police before either they, or the killer, end his life. Schumacher caps the film with a nice (though not totally unpredictable) twist ending. An innovative suspenseful outing!
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br /Rob Rheubottom
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br /Wpg, MB Canada
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