Behind Enemy Lines
Brendan Galvin: Cinematographer
Don Davis: Composer
20th Century Fox
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DVD Details:
- Starring: Owen Wilson, Gene Hackman, Olek Krupa, David Keith, Vladimir Mashkov
- Director: John Moore
- Format: Closed-captioned, Color, Dolby, DTS Surround Sound, Dubbed, DVD, Widescreen, NTSC
- Rated: PG-13 (Parental Guidance Suggested)
- Studio: 20th Century Fox
- Theatrical Release Date: Sep 03, 2010
- DVD Release Date: Apr 23, 2002
- Run Time: 106 minutes
- ASIN: B00005JKL8
- UPC: 024543038023
- Sales Rank: 7831
Amazon Customer Reviews:
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    tense, edgy atmospheric, spotlighting a forgotten conflict, but finishes so unrealistically . . ., 2010-05-22
For whatever reasons, the civil war in Bosnia (1992-95), and the horrific practice of ethnic cleansing, has largely slipped into the folds of history, and seems not to be mentioned much today. Behind Enemy Lines (2001), is one of the few mainstream films set during this period of conflict. It involves a Navy F-18 shot down while on a routine reconnaissance mission. The film does a good job of capturing the cold pure fear of being under fire, and the shock of suddenly being blasted out of the sky, and plunging to the earth, to face a desperate fight for survival.
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br /Lt. Chris Burnett (Owen Wilson) is a flight navigator, aboard the carrier USS Carl Vinson, on patrol in the Adriatic Sea. With two weeks to go before his tour is up, Burnett's commanding officer, Admiral Leslie Reigart (Gene Hackman), orders pilot Jeremy Stackhouse (Gabriel Macht) and Burnett on a routine patrol over Bosnia.
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br /The F-18 enter the `no-fly' zone, and unknowingly photographs a mass grave site. General Lokar (Olek Krupa), the local army commander, orders a missile strike, and surface to air missiles bring the Navy fighter down, deep in enemy territory. The crew ejects, and parachutes to safety, but the enemy is close behind. An injured Stackhouse is quickly captured, and then executed.
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br /Free for the moment, a shaken Burnett contacts base, and then attempts to evade capture and reach his pickup point. Scanning the countryside searching for him, are the army, and Lokar's personal expediter Sasha (Vladimir Mashkov). Back at command, politics and red tape, get in the way of a speedy recovery. It's a gritty and desperate journey for Lt. Burnett, who runs headlong into the results of ethnic cleansing, when he falls into a muddy mass grave. This is the film's most poignant moment, and while the brutality and suffering of the people is certainly a part of what the film is about, it is soon overshadowed by typical Hollywood style heroics.
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br /Under first time director John Moore, Behind Enemy Lines starts out quite strongly, establishing a tense and desperate situation, but the level of reality soon becomes a casualty of political factors on both sides. The Bosnian army employing an assassin seems a bit much, as is their clever use of the media to misdirect the UN command. The obstacles placed in the way of Burnett's rescue, hype up the level of drama, and eventually cause the Admiral mount up and get personally involved. All the stops are pulled out in the final act, as any sense of realism falls away.
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br /Burnett, who has been climbing mountains and cross-crossing the countryside, somehow has enough spring in his step to take down Sasha. The Admiral personally leads a rescue mission, as a group of choppers come in with guns blazing to engage the enemy, while Burnett dodges fire, recovers the evidence, and makes a death defying leap for freedom. It's spectacular, flag-waving overkill, that serves to diminish what could have been an excellent film, with an important message.
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br /Despite the hyped up ending, Behind Enemy Lines is definitely worth seeing, for the grim realistic aspects, and an impressive gutty performance by Owen Wilson. Gene Hackman's performance as a by the book commander, who takes matters into his own hands, is textbook Hackman, and probably exactly what the writers wanted.
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br /The bonus features include two commentary tracks, one with director John Moore and editor Martin Smith, and a second with co-producers Wyck Godfrey and John Davis. Between the two tracks, you get some awareness of the production issues involved in shooting on a carrier and on location, and how negotiations with the military was also factor.
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